Wednesday, April 13, 2011
Socratic Seminar - This Friday (4/15) and next Tuesday (4/19)
Here are the questions for this Friday/Next Tuesday's Socratic Seminar:
1. What is the symbolic significance of Barrabas and his death? How does he manifest Allende's intentions in the novel?
2. How is Alba an example of hybridity? Explain.
3. How does the situation of Clara's death create a problematic binary or conflict?
4. What's significant about Allende's description of the house in ch. 10?
5. Why do we get a sense of the absurd surrounding Nicolas and the protests?
6. Why can't "marxism succeed" in this country (ch. 10)?
7. Does Allende shift one's perception of prostitution? How so?
8. Why is ch. 11 called "The Awakening"?
9. Describe the propaganda encountered in this chapter; what are these images attempting to convey?
Tuesday, January 11, 2011
The Chronicle of a Death Foretold
The title “The Chronicle of a Death Foretold” can be interpreted in a multitude of ways. A chronicle is defined as a series of events; clearly this does not connect with the concept of death seeing as a death would end the chronicle. Also the concept of foretelling switches around chronology; this does not work with a chronicle because a chronicle is chronological. One way to interpret this title is to see it as the chronicle of how a death is being foretold, or a story about how someone’s death is predicted. Another way to view it is as a chronicle of the past events about a person who has already died. The final way to see it is as a chronicle of how a death happened which was already foretold. Because this title is so abstract it reflects that the story itself also will be interpreted in a number of ways by the characters in the novel.
Monday, January 10, 2011
Chronicles of a death foretold
how Chronical of a death fortold is illogical
Chronicle of a Death Foretold
Chronicle of a death foretold
A Turn of Phrase
The problem with the title of this book is that it is an oxymoron. A chronicle is a series that come in a specific order (such as 1, 2, 3, 4...) and can not be altered and still make sense (2,78,6,100...). By saying the death is fore told, it is skipping ahead, taking information, and then bringing it back to an earlier point and continuing on (for example going to 1, 2, 77 [being the death in this example], 3, 4, 5...). It is an oxymoron because it breaks the idea of staying in chronological order. Another flaw within this title is that death is one single moment in time, and there isn't any way you can chronologically record a single moment, because its only one one moment where a chronicle is multiple moments in a certain order.
"Chronicle of a Death Foretold"- Estrella
Sunday, January 9, 2011
Chronicle Of A Death Foretold
Logic in CoDF
Chronicle of a Death Foretold
Logical flaw in CODF -Toby
Chronicle Of A Death Foretold
RE: Chronicle of a Death Foretold
Colombians are just tricky
Gabriel Garcia Marquez manages to arrange the title Chronicle of a Death Foretold to interest the reader. I believe Marquez does this to argue the way the future works. The future only appears if a series of events occurs in a certain amount of time, which is known as a Chronicle. Foretelling is already predicting the future, so the title Chronicle of a Death Foretold defies the principles of how the words chronicle and foretold work. Marquez, due to his knowledge of the importance of a title of a novel, keeps interest in the reader until the end of the novel. Marquez's title is not wrong; he's just doing his job. That is why I think Marquez chose these particular words in the title.
Response: "What is wrong with the title 'Chronicle of a Death Foretold'?"
Despite the fact that the contradictions present in the title can be cleared up by simply using a different interpretation, there is still the issue of why such an easily misinterpreted and confusing title was chosen in the first place. Most likely, this was used to generate interest in the book, as the contradictory title catches one's eye and makes one curious about what the title could possibly mean and what the book could be about. In addition, the title is quite in line with the apparent nature of literature from the Latin American Boom, as the deconstruction of traditional narratives, which often involves messing with chronological order, is a common theme.